Adam Richard
Adam Richards is the well-known stuntman, action director, film director, writer and producer. He is the creator of the UK-based Never Give Up Productions and is also the son of former SBS Ronald Adams, who is a descendant of the English samurai William Adams. He began training at a very young age in unarmed combat. He also had the honour of competing for the Wushu British Team. Adam is also known as Phoenix8, The Man Behind the Mask and is also The Original Red Power Ranger
Throughout his young teenage and adult life, he has trained with many great Wushu masters, including Ranjit Dhillion and Grandmaster Chee Soo.
At the age of 17, following a dream, he travelled to Hong Kong to train in Kung Fu. Fate took a turn, and while on a trip to a film studio, he met Jackie Chan and had the opportunity to work on a couple of his films.
On his return to the UK, his dream was to pursue a career in stunt work. This began with stunts for the TV show and film as the Red Power Ranger and many live shows and appearances as the Red Ranger. Following this was his break into stunts for many blockbuster films, including Saving Private Ryan, Gulliver’s Travels, and Band of Brothers, as well as many other UK TV shows.
With the success and fulfilment of the stunt work, he has branched himself out, writing action scenes for Bollywood and beginning to pursue a career in directing and producing his own movies.
Adam has been on the stunt register since 1997, performing on both film and stage. His passion for martial arts led him to create his own style, “Kuen Tao”. He also has eight different Black Belts in Kickboxing, Wing Chun, Muay Thai, Wushu, Dong, Jujitsu, Chen Chan and Kail. His weapon skills and love of fight directing have enabled him to gain high recognition throughout the world for his skill, passion, experience and determination.
The NIMS Technical University in India (Rajasthan, Jaipur), which was founded by Dr B. S. Tomar, made Adam Richards a professor in film media and martial arts.
Adams is working on many films around the world with a great team in China, Malaysia, and Amsterdam.
Below are excerpts:
- Have you fulfilled a dream in your life by going into stunts for the TV show and filmography? Share with us the journey into it.
The Origin: From Hong Kong to the Big Screen
My journey didn’t start in a film school; it started in a Kung Fu kwoon. At 6 years old I followed a dream that took me all the way to Hong Kong to train. Fate stepped in during a visit to a film studio where I met the legendary Jackie Chan. That encounter wasn’t just a “hello”—it turned into an opportunity to work on a couple of his films, which completely shifted my trajectory.
When I returned to the UK, I knew exactly what I wanted to be: a stunt performer.
The Breakthrough: The Red Ranger & Beyond
My “big break” into the world of TV and filmography came in the mid-90s when I donned the iconic suit of the Red Power Ranger.
Power Rangers (1993–1997): I served as the stunt double for the Red Ranger in both the TV series and the 1995 feature film.
Blockbuster Evolution: That experience opened doors to massive sets. I moved from the choreographed fights of superheroes to the gritty realism of projects like Saving Private Ryan and Band of Brothers.
Expanding the Craft: Action Direction & Writing
Performing stunts is a physical thrill, but I eventually felt the pull to be behind the lens, shaping how action is told. Transitioning into an action director and writer allowed me to merge my deep martial arts background with cinematic storytelling.
Notable Milestones
Martial Arts Mastery: My work is grounded in reality. I hold eight different black belts (including kickboxing, Muay Thai, and Wing Chun) and even created my own style, Kuen Tao.
Global Reach: I’ve had the privilege of working across Hollywood and Bollywood. In recent years, I’ve served as an Action Director on films like De Dhakka 2, Ye Re Ye Re Paisa 2, and Sangeen, where I also performed as a stunt double for Nawazuddin Siddiqui.
Creative Vision: Moving into writing and directing (like with the project Phoenix) has allowed me to ensure that the “action” isn’t just filler—it’s a vital part of the narrative.
The Philosophy: “Never Give Up”
The stunt world isn’t just about the glory of a perfect take; it’s about the preparation and the resilience required when things get tough. Whether it’s coordinating a complex wire-work scene or writing a script that demands high-octane energy, the goal is always to push the boundaries of what’s possible on screen. “To go from a fan of martial arts cinema to directing the very action I used to watch is the ultimate fulfilment of that 17-year-old’s dream.”
- Can you tell us briefly about yourself, your family and your education background?
The Early Foundation & Competitive Pedigree
My journey in combat began at the age of five under the tutelage of my father, who trained me in the fundamentals of boxing and judo. By age six, I was immersed in shoot-style training, building a foundation of “unknown combat” that would define my career.
This early discipline propelled me into a decorated competitive career. I rose through the ranks to become a Wushu champion, transitioned into the ring as a kickboxing champion, and eventually achieved the status of undefeated British Muay Thai champion. Today, I hold 10 black belts across diverse disciplines, representing a lifetime of mastery.
The Creator: Kuen Tao Martial Arts
Throughout my years of training and film work, I identified a need for a combat style specifically tailored for the lens. I developed Kuen Tao (meaning “Kung Fu under Elite Training”), a unique, “leaky” and fluid style that synthesizes the most effective elements of every discipline I’ve mastered.
Cinematic Uniqueness: Kuen Tao is designed to look visually distinct on camera—avoiding the clichés of standard industry choreography.
The “Elite” Edge: It combines the grit of Thai boxing with the precision of Wu Shu and the leverage of Judo, providing a “signature look” that is highly sought after in modern filmography.
Academic Leadership & Pedagogy
Parallel to my work on set, I have transitioned into the role of professor in film and martial arts, dedicated to formalising the education of physical performance. I have shared my expertise at the highest levels of British dramatic training:
East 15 Acting School: Served as a specialist lecturer in stage and screen combat.
Institutional Collaboration: I work closely with Nick Hall and have held lecturing positions at Rose Bruford College and The Royal Central School of Speech and Drama.
Focus: My lectures bridge the gap between martial arts excellence and fight directing, teaching students how to translate authentic combat into compelling narrative action.
The Mission
From a six-year-old student to a professor and action director, my goal has always been the same: to elevate the art of the fight. Whether I am choreographing a blockbuster, writing a script, or lecturing at Central, I bring the “Kuen Tao” philosophy—merging years of tradition into a singular, cutting-edge vision for the future of film.
- What were the challenges you faced while in training school with many great Wushu masters, and how did you overcome them?
The Forge of a Master: Overcoming the Trials of Training
The Challenge of “Double Discipline”
The greatest challenge was the sheer volume of intensity. My training was a 24/7 cycle with no “off” switch.
The Reality: I would come home from school to a second curriculum managed by my father. Before I even reached my formal classes, he would send me on gruelling runs and put me through “iron body” conditioning—dropping a medicine ball onto my stomach to build internal resilience and core strength.
The Overcoming: I had to develop a mindset of total submission to the process. By the time I arrived at my formal Wushu or Kung Fu sessions, I was already physically spent, which forced me to rely on technique and spirit rather than just raw energy.
Balancing the Lineages of Giants
Training under Master Ranveir Dhillon and the legendary Grandmaster Chee Soo simultaneously was a mental and physical mountain to climb.
The Complexity: Each master had a distinct philosophy. Absorbing the explosive precision of Wushu from Master Dhillon while grasping the deep, fluid internal arts of Grandmaster Chee Soo required a high level of mental “switching”.
Overcoming: I leaned into the private lessons and weekend intensives. Having Master Dhillon take me to train directly with the Grandmaster was a rare privilege that allowed me to see the “connective tissue” between different styles. I stopped seeing them as separate entities and started seeing them as a singular language of combat.
Living Up to a Hidden Legacy
A significant “internal” challenge was realising the weight of the lineage I was part of. Finding out later in life that my grandmaster was a pioneer in the industry—serving as a fight director for iconic series like The Avengers—was a revelation.
The Pressure: It meant I wasn’t just training for sport; I was being prepared for a legacy of cinematic storytelling.
The Result: I overcame the “imposter syndrome” of the film industry by realising I had been groomed for this from the age of five. The medicine ball drops, the long runs, and the elite private lessons weren’t just exercises; they were my apprenticeship for the screen.
My training wasn’t about ‘learning moves’; it was about building a body and mind that couldn’t be broken. Whether it was my dad’s medicine ball or Grandmaster Chee Soo’s wisdom, every challenge was a brick in the foundation of what would become Kuen Tao.”
- Tell us about your early childhood… Where you grow up, who were the most memorable characters growing up, what you remember about your town/city during the time you were growing
The Roots of a Warrior: Higham, Kent
A Small Village with Big Dreams
I grew up in Higham, a quiet village in Kent. While the surroundings were peaceful, my internal world was a whirlwind of combat and discipline. My most memorable “characters” were undoubtedly my parents. My father wasn’t just my dad; he was my first sensei, laying the foundation with judo, boxing, and unknown combat.
The turning point of my life happened when my mum and dad bought me a Bruce Lee book. I remember looking at those pages and telling them with absolute certainty: “I want to be just like him.” ### The Search for the “Right” Path
My father took that ambition seriously. He drove me to countless martial arts schools across the region, searching for the right fit. The moment I stepped into a Chinese Wushu school, everything clicked. I fell in love with the fluidity and precision of it from day one.
From that point on, my life was a 24/7 training camp:
The Home Dojo: Training didn’t stop at the school. At home, I pushed myself to physical limits that most wouldn’t dream of, always with my dad there to provide that extra push.
The “Three-Watch” Method: I didn’t just watch Kung Fu films; I studied them like a scientist.
1st Watch: I enjoyed the story as a fan.
2nd Watch: I watched move-by-move to understand the choreography.
3rd Watch: I would slow the film down (back in the days of VHS) to dissect the mechanics of every strike and transition.
Living and Breathing the Art
Higham might have been a small village, but through those films and my training, my world was global. I didn’t just practise martial arts—I lived it and breathed it. Every shadow-boxing session in the garden and every mile run through Kent were fuelled by the vision of Bruce Lee and the discipline my father instilled in me.
“I wasn’t looking to be the best in the village; I was looking to do what nobody else was willing to do. I wanted to turn the ‘impossible’ moves on the screen into my own reality.”
- You are the founder of “Never Give Up Productions”; what are the vision and mission of it?
The Birth of a Legacy: Never Give Up Phoenix Productions
The Crash: When the World Stopped
Every warrior has a moment where their strength is tested beyond the physical. For me, that moment came on a sharp bend at the age of 40. A head-on collision with a flatbed truck didn’t just wreck my vehicle; it shattered my body. I landed on top of that truck, a broken version of the man who had spent decades as an undefeated champion and world-class stuntman.
I traded the adrenaline of the film set for the cold reality of wheelchairs and walking sticks. The industry I loved felt a world away, and the physical pain was eclipsed only by the weight of potentially never moving the same way again.
The Spark: From Despair to Ink
I refused to let my mind remain as trapped as my body. In those darkest hours, I turned to the page. If I couldn’t move in front of the lens, I would move through the stories I created. I began writing films, channelling my pain and my history into scripts that demanded the same intensity I was fighting to regain.
The Reconstruction: The Marine and the Master
The turning point came from an unlikely source—the story of a US Marine who used yoga to reclaim his ability to walk. A realisation hit me like a strike: if he can use yoga, I can use my kung fu.
I returned to my roots, but this time, the goal wasn’t a championship belt—it was a single step.
I started with agonisingly slow stretches.
I used the principles of Kuen Tao to remap my nervous system.
Inch by inch, day by day, the walking sticks became less of a necessity and more of a temporary tool. I was rebuilding myself from the marrow up.
The Name: Why “Phoenix”?
The name Never Give Up Phoenix Productions isn’t just a brand; it’s my biography.
Throughout my career, I have performed over 305 full-body fire burns. In the stunt world, surviving the flames time and time again earned me the nickname “The Phoenix”. When I rose from that wheelchair and walked back onto a film set, I wasn’t just Adam Richards anymore. I was the man who had burnt, crashed, and been rebuilt.
Our Vision & Mission
Vision: To prove that no injury, no setback, and no “impossible” odds can extinguish the creative spirit.
Mission: At Never Give Up Phoenix Productions, we create action-driven cinema that carries the soul of a survivor. We don’t just film stunts; we capture the triumph of the human will. Our productions are a testament to the fact that you can always rise from the ashes—stronger, faster, and more determined than before.
They nicknamed me the Phoenix because I survived the fire. I named the company ‘Never Give Up’ because I survived the fall.”
- After a breakthrough featuring on blockbuster films including Saving Private Ryan, Gulliver’s Travels, and Band of Brothers as Red Power Ranger. What inspired you to move from stunt work to directing and producing your movies?
The Master’s Path: From Hong Kong Apprenticeship to British Distinction
The Foundation: The Hong Kong Apprenticeship
My journey began with the “old school” traditions of Hong Kong cinema. Unlike the West, this was a true apprenticeship. Before you ever stepped in front of a lens, you had to master the “invisible” crafts: setting up boxes, wigs, and safety equipment and learning the fundamental mechanics of a stunt. Training with legends like Jackie Chan and working in the U.S. provided me with a global perspective on action that few in the UK possessed at the time.
Breaking into the UK: The British Stunt Register
Returning to the UK after my success as the Red Power Ranger, I faced the strict requirements of the British Stunt Register. To qualify, a performer must prove elite proficiency in six distinct sporting disciplines. Because of my lifelong dedication, I didn’t just meet the standards; I exceeded them:
Martial Arts & Boxing: Backed by my 10 black belts and championship titles.
Gymnastics & Trampolining: Essential for aerial awareness and body control.
Aquatics: Professional-level Swimming and Scuba Diving.
Fencing: Mastery of Foil, Epee, and Sabre.
Rock Climbing: High-angle technical proficiency.
The Pinnacle: The Fight Director’s Register
I wasn’t satisfied with just performing stunts; I wanted to choreograph the narrative of the fight. This led me to pursue the Fight Register, a path that demands both combat mastery and acting excellence.
The First Examination (Distinction):
Examined by John Greenwood (the legendary fight trainer for Laurence Olivier), I performed a gruelling exam consisting of
Three Weapons: Rapier & Dagger, Single Sword, and Unarmed Combat.
The Challenge: 90 choreographed moves integrated with live dialogue and acting.
Innovation: I brought “Breakaway Bottles” into the exam to demonstrate my ability to blend high-level stunts with theatrical combat.
The Advanced Examination:
For my second qualification, the stakes were raised to five weapons, requiring 30 moves per weapon alongside complex acting sequences. I showcased my unique heritage by introducing the Chinese Wushu Bench—using it first as a prop to sit on before transitioning it into a lethal weapon. My repertoire included:
Long Staff & Broadsword (Wushu influence).
Rapier & Dagger and Single Sword.
Combat Cloak & Dagger.
- Can you talk me through the process of stunt training and featuring on other UK TV shows?
By combining the “on-the-day” adaptability I learnt from Jackie Chan with the formal, rigorous examinations of the UK registers, I became a rare triple threat: stunt coordinator, action director, and fight director. Most stunt performers specialise in one area, but my journey allowed me to master the entire spectrum—from the technical rigging to the dramatic acting required to make a fight feel real. This is the expertise I now bring to every film set and every university lecture at Central, Rose Bruford, and East 15. “In Hong Kong, I learned how to survive a fight. In the UK, I learned how to teach it. As a fight director, I learnt how to tell a story through it.”
- Tell us about the movies you have featured as producer, stuntman, director and actor, and what makes it special?
The Blockbuster Education: Learning from the Masters
Working with Steven Spielberg: Saving Private Ryan & Band of Brothers
Working on two of the most acclaimed war dramas in history was a masterclass in scale and realism.
The Experience: On Spielberg’s sets, action isn’t just “cool”—it’s visceral and carries weight. I learnt how to coordinate stunts that didn’t feel like stunts, but like moments of survival.
What Makes it Special: Spielberg has a “final eye” for detail that is unmatched. Seeing how he integrated stunts into the narrative of Saving Private Ryan taught me that the best action comes from a place of character and high stakes.
The Hong Kong Influence: Jackie Chan’s School of Action
My early years in Hong Kong—working on projects like Police Story 2, Dragons Forever, and Project A Part 2—gave me an “action-first” education.
The Experience: Jackie Chan’s philosophy is about rhythm, timing, and using the environment. I learned that you don’t need a massive budget if you have a unique vision and a bench (or any prop) to fight with.
The Lesson: This formed the basis of Kuen Tao—my personal martial arts style that I now use to make my own films look visually distinct from anything else in the industry.
Adam Richards: The Triple-Threat (Stuntman, Director, Producer)
Notable Filmography & Roles
Directing and Producing in My Own Right
Moving into producing and directing with Never Give Up Phoenix Productions is my most personal achievement.
The Experience of a Producer: The hardest part isn’t the stunt—it’s the funding. Having to fight for your vision from the boardroom is a different kind of combat. But it allows me to protect the integrity of the action.
The Experience of a Director: I direct like a martial artist. I look for the “leak” in the style, the unique angle, and the truth in the movement.
The Vision: Whether it’s The Tai Chi Dream or Triumph of the Phoenix, my movies are special because they are authentic. I don’t use “shaky cam” to hide bad fighting; I use my 10 black belts and my years of training to show the audience something they’ve never seen.
“I spent 20 years learning how to take a hit for other directors. Now, as a director and producer, I’m using those hits to build a new kind of action cinema—one rooted in the resilience I learned on the road back from that wheelchair.”
- Tell us about working on many films around the world with a great team in China, Malaysia, and Amsterdam. When are you planning films for Africa?
Working across the globe has been one of the most rewarding aspects of my career. From the high-energy sets of China and Malaysia to the artistic landscapes of Amsterdam, I’ve had the privilege of leading world-class stunt teams. Each location offers a different energy, but the goal is always the same: creating breathtaking action while maintaining the highest standards of safety.
Here is a refined vision of my future collaborations and my deep desire to bring my expertise to the African continent.
The African Vision: Cinema with a Soul
I have already begun my journey into the heart of African storytelling by working on Nollywood productions right here in the UK. However, my ultimate goal is to bring my own productions directly to the continent. I have two specific projects that I am passionate about filming on African soil:
The Princess Warrior: A visually stunning epic centred on a powerful female lead. This film is designed to showcase the beauty, strength, and rich cultural heritage of Africa through high-level martial arts and cinematic storytelling.
The Human Trafficking Project: A gritty, hard-hitting action thriller that culminates in Africa. This story aims to shine a light on a global crisis while delivering a powerful narrative of justice and resilience.
Collaborating and Giving Back
~ My vision for Africa goes beyond just filming; it’s about collaboration and education. I am eager to partner with African filmmakers, producers, and stunt performers to elevate the “action” side of their local industries.
The “Safe Action” Masterclasses
I am planning to host specialised action & stunt masterclasses across Africa. Drawing from my 10 Black Belts and my experience on Spielberg-level sets, I want to teach local talent the following:
The “Kuen Tao” Method: How to create unique, camera-ready choreography.
The Gold Standard of Safety: Teaching the “right way” to execute stunts to ensure every performer goes home safe.
Fight Direction for the Lens: Helping directors and actors understand how to tell a story through movement.
Africa is a continent of untapped cinematic potential. I don’t just want to film there; I want to share the knowledge I’ve gained over 30 years to help build a new generation of African action stars and directors.”
The Path Forward
I am currently seeking the right partners and funding to turn these visions into reality. Whether it is through my company, Never Give Up Phoenix Productions, or through international co-productions, I am ready to bring the fire of the Phoenix to Africa.
- Dotolive News Magazine (DNM) would like to be part of your team reporting your activities, and what will be your commitment supporting the media organisation DNM?
This is a great opportunity to establish a professional partnership. As a director and producer, you know that the relationship between a creator and the media is a two-way street.
Here is a formal and enthusiastic response for Dotolive News Magazine (DNM), written from your perspective as Adam Richards:
A Message to Dotolive News Magazine (DNM)
I am honoured and excited by the prospect of Dotolive News Magazine (DNM) joining my team. In the world of international film and martial arts, storytelling doesn’t just happen on the screen—it happens through the voices of those who document our journey.
I am fully committed to helping grow the DNM brand as we promote the vision of Never Give Up Phoenix Productions together.
How We Will Collaborate
My team and I are ready to provide DNM with exclusive access to ensure your magazine remains at the forefront of action cinema and martial arts news:
Behind-the-Scenes Access: I will provide DNM with exclusive “first looks” at my film sets—from the high-octane stunts to the intricate process of action directing.
Exclusive Interviews: I am committed to providing regular, in-depth interviews regarding my upcoming projects in Africa, the UK, and beyond, as well as insights into my work as a professor at Central and Rose Bruford.
Educational Content: I would be happy to contribute expert columns or features on martial arts philosophy, the “Kuen Tao” style, and the importance of stunt safety, providing high-value content for your readers.
Event Promotion: Whenever I am hosting masterclasses or attending film premieres, DNM will have a seat at the table to cover the action live.
My Commitment to DNM
I don’t just want a media partner; I want to help grow your brand. As a filmmaker with a global network spanning from Hong Kong to Hollywood and Bollywood, I will:
Cross-Promote: Feature DNM across my official social media channels and production websites.
Networking: Introduce the DNM brand to my colleagues, stunt teams, and fellow directors across the international film community.
Strategic Support: Actively look for ways to integrate DNM into my upcoming African film tours and “Safe Action” masterclasses.
The “Never Give Up” spirit is about lifting others as we rise. I see a bright future for Dotolive News Magazine, and I am proud to have you as the official voice reporting on the evolution of the Phoenix. Let’s build something legendary together.
Media is the bridge between the artist and the audience. I am committed to making that bridge stronger with DNM.”
- Amazing memories are unforgettable; can you share with us the most amazing memory?
Unforgettable Memories: From the Red Mask to the Next Generation
The Magic of the Red Ranger
My most cherished memory takes me back to the mid-90s, standing on set in the Red Power Ranger suit. I remember a moment of pure clarity: I was performing the very martial arts moves I had practised as a young boy in Higham, but now I was getting paid to do what I loved.
However, the real “magic” didn’t happen during the fight scenes. It happened during the charity visits. Going into hospitals to visit sick children, seeing their faces light up because their hero had stepped off the screen and into their room—that stayed with me. It taught me that being a “hero” isn’t about the stunts; it’s about the impact you leave on others.
Meeting a Legend: Jackie Chan
As a 17-year-old in Hong Kong, meeting Jackie Chan for the first time was a dream that left me speechless. To go from a fan boy slowing down his VHS tapes to eventually working on his sets was the ultimate validation of my “Never Give Up” philosophy. It proved that if you train harder than anyone else, the world will eventually open its doors to you.
The Legacy: Giving Back through the Phoenix
My passion has always been about more than my own success; it is about the “we”, not the “I”. I have been blessed with an incredible journey, and now my mission is to pave the way for the next generation.
The Phoenix Networking Group
I am proud to announce the launch of the Phoenix Networking Group in London.
The Mission: A totally free monthly networking event for anyone in the film industry—from aspiring actors to seasoned crew members.
Launch Date: Our first event kicks off on April 14th, 2026.
Why it matters: I want to remove the barriers to entry. In an industry that can often feel closed off, the Phoenix is a place of open doors and shared knowledge.
A Vision for the Future
If I could realise one final dream, it would be to establish a completely free martial arts and film school. I want to provide a sanctuary where the youth can learn discipline through combat and storytelling through film without the burden of cost.
My goal is to help the next generation build their dreams from the ground up, just as my father and my masters helped me build mine. I lived my dream; now, I want to help them live theirs.
“I’ve spent my life learning how to fight, but the greatest win is helping someone else find their strength. The Phoenix rises so that others can fly.”
- What advice would you give the younger ones?
A Message to the Dreamers: The Warrior’s Mindset
Geography Does Not Define Destiny
I grew up in a small village called Higham. At the time, nobody knew my name, and there were no “famous” footsteps to follow. In a small place, it can be easy to think small, but I chose to do the opposite. I dreamed big as a child, and I held onto that vision until it became my reality. It doesn’t matter where you come from; it only matters where you are determined to go.
Turn the Pain into Power
My journey wasn’t just about learning high kicks and swordplay; it was about surviving. I went through bullying and hardships that could have broken me. But instead of letting those experiences pull me down, I used them as fuel.
The Lesson: Every obstacle, every “no”, and every person who doubts you is just another training session for your spirit.
The Action: Use that resistance to build your strength. Don’t let the world’s noise drown out your inner drive.
The “Big” Philosophy
My advice to any young person today is simple: dream big to become big. * Believe in yourself: If you don’t believe you can be the hero of your own story, nobody else will.
Never put yourself down: you are your own greatest ally. Treat yourself with the respect of a master.
Don’t let anyone stop you: People will tell you your dreams are unrealistic because they are afraid to chase their own. Ignore them.
Fulfill the Vision
Don’t just dream—act. I fought through the injuries, the accidents, and the setbacks because the dream was worth the struggle. Fulfilling your dreams isn’t a gift; it’s a conquest. It’s something you earn through discipline, sweat, and an unshakeable belief that you belong at the top.
I was just a kid from a village who refused to listen to the word ‘impossible’. Today, I am a phoenix. If I can rise from the ashes and the wheelchairs to lead the industry, so can you. Dream big, train hard, and never, ever give up.”
Thank you for sharing with us.
Thanks to the DNM team.
2026
About the Author
